Film
The Creator: Could AI have generated Gareth Edwards’ gorgeous new sci-fi blockbuster?
The Creator: Could AI have generated Gareth Edwards’ gorgeous new sci-fi blockbuster?
If you fed Apocalypse Now, Blade Runner and E.T. into an AI generator you might get something like The Creator, but would it have the humanity?
‘This is a city of homeless people’: Finding hope in the horror with hidden heroes of Ukraine
‘This is a city of homeless people’: Finding hope in the horror with hidden heroes of Ukraine
Workers at charity Depaul were used to dealing with homelessness in Ukraine before Russia invaded the country. Now a new hard-hitting documentary shows their remarkable, selfless response to the humanitarian crisis that followed
More powerful together: the authentic experiences behind Ken Loach’s new film
More powerful together: the authentic experiences behind Ken Loach’s new film
Lived experience and real-life stories bring authenticity to Ken Loach’s The Old Oak – in cinemas 29 September. We speak to Ebla Mari and Claire Rodgerson, two stars of the inspiring new film.
McCarthy-era blacklists transformed Hollywood. Will the same happen after the strikes?
McCarthy-era blacklists transformed Hollywood. Will the same happen after the strikes?
The Old Oak: Director Ken Loach and writer Paul Laverty on changing the conversation and challenging cruelty
The Old Oak: Director Ken Loach and writer Paul Laverty on changing the conversation and challenging cruelty
Incredible story behind man who created a dress out of nettles
Incredible story behind man who created a dress out of nettles
Hot fuzz: The most glorious moustaches in movie history, ranked
Hot fuzz: The most glorious moustaches in movie history, ranked
No more good cop, bad cop: Revisiting Serpico and Training Day in the wake of global calls to abolish the police
No more good cop, bad cop: Revisiting Serpico and Training Day in the wake of global calls to abolish the police
William Friedkin on ‘rip-off’ Exorcist sequels, Scorsese selling out and dressing as Ali G
William Friedkin on ‘rip-off’ Exorcist sequels, Scorsese selling out and dressing as Ali G
Kokomo City: ‘Who doesn’t want these girls to be safe?’
Kokomo City: ‘Who doesn’t want these girls to be safe?’
Kalvin Phillips: ‘This generation of players can inspire young people’
Kalvin Phillips: ‘This generation of players can inspire young people’
Does Mission: Impossible prove Hollywood has forgotten how to end a movie?
Does Mission: Impossible prove Hollywood has forgotten how to end a movie?
John Rhys-Davies: ‘We learn from our exposure to fear’
John Rhys-Davies: ‘We learn from our exposure to fear’
Punch a Nazi: The morally certain joy of Indiana Jones, from Raiders to the Dial of Destiny
Punch a Nazi: The morally certain joy of Indiana Jones, from Raiders to the Dial of Destiny
Peter Crouch: ‘It felt like the whole world was ridiculing me’
Peter Crouch: ‘It felt like the whole world was ridiculing me’
A Dispatch from ’24 Hour Wes Fest’, or The Peculiar Oddities of a Wes Anderson Cinematic Endurance Test
A Dispatch from ’24 Hour Wes Fest’, or The Peculiar Oddities of a Wes Anderson Cinematic Endurance Test
The Wicker Man at 50: Woozy, semi-surreal and hugely influential
The Wicker Man at 50: Woozy, semi-surreal and hugely influential
Glenda Jackson defied expectations to succeed in acting and politics
Glenda Jackson defied expectations to succeed in acting and politics
Jayde Adams on how Take That movie Greatest Days captures the ‘intensity of fandom’
