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Film
Kokomo City: 'Who doesn't want these girls to be safe?'

Kokomo City: 'Who doesn't want these girls to be safe?'
How Sinéad O’Connor risked it all to speak truth to power – and inspired a new generation

How Sinéad O’Connor risked it all to speak truth to power – and inspired a new generation
Kalvin Phillips: 'This generation of players can inspire young people'

Kalvin Phillips: 'This generation of players can inspire young people'
Does Mission: Impossible prove Hollywood has forgotten how to end a movie?

Does Mission: Impossible prove Hollywood has forgotten how to end a movie?
John Rhys-Davies: 'We learn from our exposure to fear'

John Rhys-Davies: 'We learn from our exposure to fear'
Punch a Nazi: The morally certain joy of Indiana Jones, from Raiders to the Dial of Destiny

Punch a Nazi: The morally certain joy of Indiana Jones, from Raiders to the Dial of Destiny
Peter Crouch: 'It felt like the whole world was ridiculing me'

Peter Crouch: 'It felt like the whole world was ridiculing me'
Asteroid City is a perfectly timed meditation on grief

Asteroid City is a perfectly timed meditation on grief
A Dispatch from '24 Hour Wes Fest', or The Peculiar Oddities of a Wes Anderson Cinematic Endurance Test

A Dispatch from '24 Hour Wes Fest', or The Peculiar Oddities of a Wes Anderson Cinematic Endurance Test
The Wicker Man at 50: Woozy, semi-surreal and hugely influential

The Wicker Man at 50: Woozy, semi-surreal and hugely influential
Glenda Jackson defied expectations to succeed in acting and politics

Glenda Jackson defied expectations to succeed in acting and politics
Jayde Adams on how Take That movie Greatest Days captures the 'intensity of fandom'

Jayde Adams on how Take That movie Greatest Days captures the 'intensity of fandom'
The evolution of Mean Girls on screen... from Heathers to Sex Education

The evolution of Mean Girls on screen... from Heathers to Sex Education
Chevalier: Kelvin Harrison Jr on being a 'soldier' for overlooked Black history

Chevalier: Kelvin Harrison Jr on being a 'soldier' for overlooked Black history
The Little Mermaid modernises the story by going back to the 1837 original, says director Rob Marshall
